Me and Orson Welles by Robert KaplowSign in. There, he meets and begins a casual friendship with Gretta Adler, their friendship based on a shared love and goal of a profession in the creative arts. But also on this trip, Richard stumbles across the Mercury Theatre and meets Orson Welles , who, based on an impromptu audition, offers Richard an acting job as Lucius in his modern retelling of Julius Caesar, which includes such stalwart Mercury Theatre players as Joseph Cotten and George Coulouris. In other words, whatever Welles wants, the cast and crew better deliver. These requests include everything, even those of a sexual nature.
Me and Orson Welles, review
So much is going on! So much to be part of! Though specific in its period references — the musical choices in particular are fresh and precise — this movie is much more than an exercise in nostalgia for those storied old days, when Harold Ross edited The New Yorker, Orson Welles bestrode the boards of the Mercury Theater and Brooks Atkinson reviewed plays for The New York Times. Which can be a painful, disillusioning experience as well as a source of exhilaration. This, at any rate, is what Richard, Mr. His evident relish in the dimensions of this role is a crucial part of the performance. Though perhaps not to work with him.
Me and Orson Welles is an enchanting coming-of-age story set in s Manhattan, on Broadway to be exact. Its hero, year-old New Jersey-born Richard Samuels, has a great many ideas about himself, all steeped in stage and screen. Gazing in the mirror, Richard routinely detects "the earnestness of Gary Cooper, the playfulness of Cary Grant, and maybe just a whisper of Astaire". Might he, too, be somebody? He ponders star quality.
Love-smitten twentysomethings, suburban slackers, guitar-touting schlubs, scramble-suited undercover narc agents: Richard Linklater has long been the bard of dreamy, disaffected Americans. Tweenie heartthrob Zac Efron plays Richard Samuels, a New Jersey high-school student who lucks into a minor role on what seems at first to be a shambolic, penny-pinching stage show at the Mercury Theater. Success — which most of the performers bitch among themselves is an unlikely outcome — hangs on the ability of Welles to pull everything together at the last moment. Me and Orson Welles - the author's take. McKay portrays him as almost completely ready-made: the biggest role Welles was ever to play, and certainly far bigger than the Roman despot in this production, was Orson Welles. He was aware of his own magnetism, exploited it without guilt, and saw it as a useful tool with which he could leverage creative autonomy from the moneymen and power-brokers who ran Hollywood. But nothing really happens, and the tightly-coiled rhythms and tensions that Linklater and his editor Sandra Adair have so carefully created, plummet.
Remember that Orson Welles himself didn't always look like Orson Welles. He was a master of makeup and disguise, and even when appearing in the first person, liked to use a little putty to build up a nose he considered a tad too snubbed. We can almost accept that this is the Great Man.
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Share on:. Richard Samuels sees everything in terms of a performance, through the rose-tinted lens of the theatrical celebrities he listens to on the radio. So when he stumbles onto the Broadway stage through a chance encounter with Orson Welles, it seems as if all his dreams may be about to come true. He goes from being the guy that all the girls see as a friend, one of the bookish kids at school, to the glamour of mingling with stars of the stage. We follow Richard's struggle to balance this newly discovered wonderland and his school life, not to mention his disapproving mother.
Based on Robert Kaplow 's novel of the same name, the story, set in New York, tells of a teenager hired to perform in Orson Welles 's groundbreaking stage adaptation of William Shakespeare 's Julius Caesar. He becomes attracted to a career-driven production assistant. McKay's portrayal of Welles was recognized with a multitude of accolades, and Me and Orson Welles was named one of the top ten independent films of the year by the National Board of Review. In New York City in the fall of , year-old high-school student Richard Samuels meets Orson Welles , who unexpectedly offers him the role of Lucius in Caesar , the first production of his new Mercury Theatre repertory company. The company is immersed in rehearsals at its Broadway theater. Charmed by Welles, Richard infers that he is having an affair with the leading actress while his wife is pregnant. Richard finds ambitious production assistant Sonja Jones is attracted to him.
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